My friend dahmer movie fan art
He studied the book, of course, and there’s more than enough material there for him,” Backderf says. “Everyone has their own process and, having one myself, I respect that. Wolff didn’t meet with his real-life counterpart before filming - and the artist, who worked on the graphic novel for nearly 15 years, understood Wolff’s decision. The movie is a really riveting depiction of the breaking down of a friendship, the disintegration of a connection between these two young people.” You want to like him, you want to feel for him, but he lacks a little bit of empathy and it takes him longer than you would like to realize that there’s something off about Dahmer.
“He’s the coolest of the nerds, but I liked that he’s in-between.
#MY FRIEND DAHMER MOVIE FAN ART FULL#
“I found Derf to be a really interesting character - someone who seemed really warm and inviting, but he’s also full of contradictions,” Wolff says.
#MY FRIEND DAHMER MOVIE FAN ART SERIAL#
How would someone like Dahmer pick out a suit for the prom, pick up his date or even know what corsage so buy, those details are avoided which is a shame.MORE: A Guide to the Serial Killers (and Infamous Murderers) Taking Over Film and TV in 2017 The parents have the same arguments, Dahmer’s road kill fascination becomes a transition point, and his school friendships stereotypical.
Despite all its curiosities, the film becomes tedious. This is the scripts way of addressing Dahmer’s eventual appetite for men of color. “I wonder if your insides are the same color as mine,” he questions the only male student of color in his high school. However, one of the more interesting psychological elements of the film is how the 17-year-old stalks the good-looking school doctor for over a year, leading up to a physical exam that changes Dahmer forever. My Friend Dahmer seems a bit weary diving into the sexuality of Dahmer. Meyers script based on Derf Backderf’s book of the same name, visualizes Dahmer’s years of rejection, as an explanation for what he becomes. The entire movie relies on Lynch’s performance, and as a disturbed high school student dealing with stress in every area of his life, it’s fairly-interesting, albeit it generic. There are no murders on screen or cannibalism, the film ends right where you expect, teasing the audience to what this boy eventually becomes. There are moments like this throughout the film that encourage the viewer to stay tuned for the inevitable. “We eat our mistakes”, Joyce says when dinner becomes a catastrophe. His popularity is short lived, and when the parents fighting becomes worse, he turns to alcohol, dealing with puberty and misplaced sexual frustration.ĭespite all its curiosities, the film becomes tedious. He becomes known throughout the school for his spaz performances, and his buddies even create a Dahmer fan club, where they gain popularity off making fun of their demented friend. Dahmer goes from dissolving roadkill in acid out back of his rural Ohio home, to senior year where a group of misfits welcome him into their group. His father Lionel (Roberts), a chemist, who is unraveling and contemplating a divorce. His mother Joyce (Heche) has just been released from a mental institution, after chasing UFO’s down the driveway. He’s awkward, sitting alone in the cafeteria, quiet and shy. We meet Dahmer (Lynch), as his friends call him, as a junior in high school. Lynch’s performance has so much to do with posture, but that only gets us so far. Working against him is his male model looks, it’s hard to imagine a guy who looks like Lynch not being the most popular guy in school with the muscles and long blond hair. The gem here is Disney’s Ross Lynch shedding his bubblegum singing and dancing image, to inhabit the mind of a monster. Marc Meyers’s film lacks the nuance to capture the in between moments of Dahmer’s transition from neglected and disturbed teenager to one of America’s most discussed serial killers. For those expecting a “Jeffery Dahmer” movie, this won’t serve the horror genre appetite.